In A Doll’s House, by Henrik Ibsen, Henrik consider a fabulous aspect of men and women back in the early age. In the play “A Doll’s House,” Nora represent the conventional feminine basic of the age. She seems defenseless and purview herself through patriarchal assumption, which proclaim a woman’s social character at this time period, a wife and also a mother. In term, of male perspective measures feminine strategy during that time. Nora chooses to break up with her family to become on her own as an independent woman. Nora makes that decision to gain and assert her personality through social identity. Nora reality is instead a demonstration of her selfishness than her rebellious humor. In this play, it means that no gender parties can be treated as unconditionally just or unjust. This paper acknowledges numerous demonstration of justice and injustice in the relationships between the main characters, the transformation of Nora’s expectation for the future. As many readers may capture, there was a significant change with one character in general, which is Nora. It is kind of easy to see that Torvald, her husband is a wooden character, impressive and seemingly without humor or tender feeling, both at the beginning of the play and at the end of the play as well. Krogstad is also one dimensional a pretty lawless who has spent his life trying to get by without ever possess to his larcenous habit. Mrs. Linde doesn’t change that much either’ in evidence, she seems to be chorus just inserted into an activity to move it from one situation to another one. Dr. Rand is intended for only one change, which is death. The addition of Dr. Rand to the action is merely a small confusion in Nora’s life; she has larger anguish than whether a death is in love with her. Nora’s confusion, regardless of what some judgment, are not those of a person changing and developing. Alternatively, hers are the confusion of having always been developing and by choosing to play a role that has to admit her to continue to live. By the end of the play, those situated on the side of Nora are also upon to take obligations for their actions. Torvald for instance fail. “At the first hint that his carefully planned toy life is about to go astray, Torvald caves into Krogstad’s demands, “making him even more hypocritical than Krogstad.” (Rosefeldt, 2003). In reality, Rosefeldt seems the play from the outlook that it is a drama not about a woman’s awakening, but is preferably a play that accord with the condemnation of patriarchy. In the play “A Doll’s House” Nora Helmer play the sole protagonist. After Nora’s secret been reveal, the author demonstrates on how Nora life constantly reconstructs. As Nora husband gets a promotion to become a bank manager in his hometown, persuaded Nora that she will live a fear life forward. Nora’s appear to change as her secret has been discovered. The play begins at Christmas time, and keep going in the new year. Nora was passionate about the new life she wants to start. But an optimal experience begins to be awkward when Mrs. Linde came to visits she’s one of Nora friend. Mrs. Linde seeking a new life, she needs a job to have a better life. She comes to Helmer’s house to asked Nora about her husband position at the bank so she can talk to her husband to give her a job. Torvald is happy to give Mrs. Linde a job position at the bank, still, Nora is naive because that step is closer to her secret to reveals. Nora recognizes her husband’s capability to the overture, Mrs. Linde, a job as the adventure it is progress. Nora has the interest to help Mrs. Linde get the job, there is a conflict with Mr. Krogstad knows all about Nora’s secret, and Mr. Krogstad is a danger to lose his job.